The Mandalorian season 3 review: more for less
Partly aimless but always engaging, the Star Wars series cast a wider net at the cost of Grogu and Mando—and ended in a way that signalled it might be done for good.
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Partly aimless but always engaging, the Star Wars series cast a wider net at the cost of Grogu and Mando—and ended in a way that signalled it might be done for good.
A murder mystery comedy of the lowest possible denominator.
The incredible, intense, and innovative action is ultimately overwhelming, overdrawn, and results in an overlong movie.
The unwieldy Shazam sequel looks terrible, lacks the original’s freshness, and struggles with its extended cast. Lightning doesn’t strike twice, it seems.
Rocket Boys 2 review: the SonyLIV web series—centred on Homi Bhabha (Jim Sarbh) and Vikram Sarabhai (Ishwak Singh)—doubles down on the worst bits of season 1.
The Last of Us review: season 1 of the HBO series tweaks, expands, and moves beyond the 2013 eponymous video game in marvellous ways.
Ant-Man 3 lays the foundation for the end of MCU’s Multiverse Saga, but the Marvel movie suffers on nearly every front, save for Jonathan Majors.
The Indian adaptation of John le Carré’s The Night Manager is better than most Hotstar originals, but it can’t match the award-winning British miniseries.
It panders too much to Chinese interests, and squanders the potential it had. Akhil Arora, a member of the Film Critics Guild and a Rotten Tomatoes-certified film critic In some ways, Mulan represents a major departure from Disney’s approach to live-action remakes of its beloved traditionally-animated movies. Unlike the Emma Watson-led Beauty and the Beast, […]
Netflix keeps making regressive reality TV because people keep watching it. Akhil Arora, a member of the Film Critics Guild and a Rotten Tomatoes-certified film critic Earlier in July, a section of Indian Twitter—involving those from the country and many of Indian origin across the world—blew up hate-watching Indian Matchmaking, a new Netflix reality series […]