The Railway Men review: incompetence is the name of the game
YRF’s first Netflix series, centred on the 1984 Bhopal tragedy, lacks virtually everything it needs to be Chernobyl or Trial by Fire.
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Guns & Gulaabs review: gory and garrulous, unfunny and uninspired
From the creators of The Family Man, a bottom-tier series set in ‘90s small-town India, full of tales that are neither thrilling nor comedic.
Made in Heaven season 2 review: overwhelming and emotionally exhausting
Though it shines on rare occasions, the Prime Video series struggles to evolve thanks to overlong episodes, a lacking depth, and a failure to recognise its prior faults.
Kohrra review: toxic masculinity will be the death of us all
Police apathy, failed fathers, and a foggy future make a deadly cocktail in this spiritual successor to Udta Punjab.
The Witcher season 3 review: time runs out
In Henry Cavill’s final season as Geralt, as the Netflix series loses its star attraction, it makes a bigger case for Ciri as the future.
Ted Lasso season 3 review: an own goal
Enamoured by its own success, the Apple TV+ series got overly cloying as it bid goodbye.
Succession season 4 review: everything burns
In the final season of the HBO series, the Roy children showed themselves to be no less than their late father.
The Mandalorian season 3 review: more for less
Partly aimless but always engaging, the Star Wars series cast a wider net at the cost of Grogu and Mando—and ended in a way that signalled it might be done for good.
Rocket Boys 2 review: drowned by its aspirations of grandeur
Rocket Boys 2 review: the SonyLIV web series—centred on Homi Bhabha (Jim Sarbh) and Vikram Sarabhai (Ishwak Singh)—doubles down on the worst bits of season 1.
The Last of Us review: Season 1 is masterful, thrilling, and one of 2023’s best
The Last of Us review: season 1 of the HBO series tweaks, expands, and moves beyond the 2013 eponymous video game in marvellous ways.