YRF’s first Netflix series, centred on the 1984 Bhopal tragedy, lacks virtually everything it needs to be Chernobyl or Trial by Fire.
From the creators of The Family Man, a bottom-tier series set in ‘90s small-town India, full of tales that are neither thrilling nor comedic.
Though it shines on rare occasions, the Prime Video series struggles to evolve thanks to overlong episodes, a lacking depth, and a failure to recognise its prior faults.
Police apathy, failed fathers, and a foggy future make a deadly cocktail in this spiritual successor to Udta Punjab.
In Henry Cavill’s final season as Geralt, as the Netflix series loses its star attraction, it makes a bigger case for Ciri as the future.
Enamoured by its own success, the Apple TV+ series got overly cloying as it bid goodbye.
In the final season of the HBO series, the Roy children showed themselves to be no less than their late father.
Partly aimless but always engaging, the Star Wars series cast a wider net at the cost of Grogu and Mando—and ended in a way that signalled it might be done for good.
Rocket Boys 2 review: the SonyLIV web series—centred on Homi Bhabha (Jim Sarbh) and Vikram Sarabhai (Ishwak Singh)—doubles down on the worst bits of season 1.
The Last of Us review: season 1 of the HBO series tweaks, expands, and moves beyond the 2013 eponymous video game in marvellous ways.