Spider-Man: Across the Spider-Verse review: brilliant but botched
The sequel to the Oscar-winning original is mature, wilder, and more ambitious—but it’s ultimately one half of a movie.
The sequel to the Oscar-winning original is mature, wilder, and more ambitious—but it’s ultimately one half of a movie.
Enamoured by its own success, the Apple TV+ series got overly cloying as it bid goodbye.
In the final season of the HBO series, the Roy children showed themselves to be no less than their late father.
James Gunn is hooked on a feeling—but his overstuffed movie occasionally gets out of hand.
Another instantly-forgettable Disney live-action remake—I never want to revisit this Neverland.
Apple’s first mainstream action film is flat, lazily written, and instantly forgettable.
Partly aimless but always engaging, the Star Wars series cast a wider net at the cost of Grogu and Mando—and ended in a way that signalled it might be done for good.
A murder mystery comedy of the lowest possible denominator.
The incredible, intense, and innovative action is ultimately overwhelming, overdrawn, and results in an overlong movie.
The unwieldy Shazam sequel looks terrible, lacks the original’s freshness, and struggles with its extended cast. Lightning doesn’t strike twice, it seems.